On schedule

April was a rush. Too much to process. Too much information. Too tired.

But the snowdrops came up pretty much on schedule and without much help from me. April’s drawings were mostly a study in Galanthus and whether I would use Schlumbergera flowers again as a paper dye (probably not). Even though I feel like this drawing is finished (or at least I’m finished with it), it gave me some struggles. Tried out some new watercolour pencils and then some Canadian made small batch watercolour as well, which gave me some information on how these new materials could be used.

And tomorrow is May. Also right on schedule. Let’s work to make this month move at a slower pace.(?)

April 2023. Not 24 Days of Drawing. Mixed Media. B. Wanhill

Sticky situations

Brief.

Diagnosis: Shoulder Bursitis. Pain can feel sticky. Yesterday: 8 hours on the computer for paid work. The day before that: 6. Last two days: the beginning of my holidays. Work feels sticky.

March 24 days of drawing: Rosthern Crabapple ink (which ended up being sticky – literally), Micron pen and water soluble pencil crayon. A bit of old Letraset (simultaneously sticky and not). I got stuck on the ink lines and didn’t know how to proceed. Some sketchbook drawing. Some days nothing. This tree has Fireblight. Was supposed to come down this past winter. Too much snow, too cold. March weather felt sticky.

Emotions feel sticky.

Now, the snowdrops are up (a possible reprieve from stickiness)(?).

*24 days of drawing: March 1-24, 2023 (minus some days). approx. 15cm dia.. Mixed media. B. Wanhill*

When ideas feel sticky, sketchbooks are helpful. Ink and pencil crayon. B. Wanhill. March 2023

Rosthern crabapple tree. March 12, 2023. B. Wanhill. Canon T3i

Galanthus nivalis. Annual sign of spring. March 25, 2023. B. Wanhill. iPhone X

February process

Through this month’s 24 Days of Drawing, I found out that the Wolf Lichen (Letharia vulpina) I used for the base wash of my drawing is toxic to humans. Previously, I had only known it as a cheerfully lacy growth on the fir trees I grew up with, a potential plant dye for wool and one of the landscape ingredients found on my dad’s expansive HO scale train layout.

Therefore, I am glad I did not try to consume it as a tea and have only used it to colour paper and yarn for this month’s creative investigation.

The river rocks are from a previous drawing from last year. This time, I tried to capture their essence using Derwent Inktense pencils and fell into an old habit of using a Micron pen for stippling texture. The ’90s echo of my 4th year advisor’s disapproval crossed my mind for the first few days of this drawing, but overall and in the end, I’m pleased with how it turned out.

I was also surprised by the difference in pigment between the two unknown fibres I spun for the yarn samples. I think the brighter one might be Polwarth but I’m not completely certain.

Last bit of advice: not a drawing or wool to chew on!