An unexpected family event this summer brought us together and a chance conversation with a cousin whose been good about keeping in touch brought up the topic of spinning.
Her enthusiasm and gorgeous spinning skill have convinced me to take up something I haven’t touched in over a decade. It has been the perfect antidote for working through thoughts and calming a worried mind.
I’m currently handspinning half a pound of Northern Lights ‘Mulled Wine.’
Someone once told me that I can’t do everything, that I have to choose. And that is my problem. I still do not. I want to be a skillful artist, excellent teacher, adept gardener, household contributor, caring partner and family member, healthy, spiritual, intellectual, calm personality. I try for all of it, but do none of it well.
Try again… and again.
This linocut is the beginning of a reduction print. The ink is new to me: Akua intaglio. There are some things to be worked out.
In the mean time, an homage to my favourite spring flower:
Linocut. Akua intaglio ink. Strathmore print paper. 10 x 10 cm. B. Wanhill 2016
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Update, December 20, 2016: I did eventually get the second colour on this print and it took months and months to dry. In fact I took a print out to scan today and it is still smudging. I will be on the look out for a more reliable permanent ink for 2017 printing adventures.
Linocut. Aqua Intaglio Ink. Strathmore print paper. 10 x 10 cm. B. Wanhill 2016
My garden is small and Deschampsia cespitosa ‘Pixie Fountain’ is finally making itself at home in places I think it will be happiest. A photograph shows how light plays on it – even in winter. An image of a linocut I printed last week is a reminder of a pleasing time I had in November, studying and carving lines.
Deschampsia cespitosa ‘Pixie Fountain.’ Image iPhone 5.Linocut. Oil based ink. Strathmore print paper. 10 x 10 cm. B. Wanhill 2016