• In December, I took a break from all things botanical and spent some of my spare time participating in #abstractadvent, an annual art challenge developed and hosted by art pedagogy. This was my third year participating and I found it more difficult than previous years. I began to create visual narratives each day and my format was larger than previous (each day was approximately 11.5 cm/4.5″ square). I also developed my theme using characters I cut out of a shipping bag from the art pedagogy shop. I paired all of this with watercolour details illustrating each day’s chosen shape. Finally, Letraset was used to loosely refer to the story line which was often informed by daily events or the characters themselves. For someone who is comfortable with drawing, all this different media was tricky to put together in a cohesive way!

    Near the end, it became a daily work-in-progress effort, with catching up on weekends. I did succeed in finishing and I’m pleased with these tiny collages – considering work was hectic, celebrations were being prepared and I was coming up with ideas fairly quickly.

    In order to fully participate in this and have my work seen by others on Instagram, I needed to use a hashtag – something I had given up with my personal account.

    So, I scrambled to develop a new public account. You can find my daily challenge work here: @an_uncertain_satellite (story about the name for another time or not at all). I am also participating in #100daysofspindlespinning developed by @dreareneeknits and I’ve found this return to small amounts of fibre spinning each day very rewarding. In the new year, I hope to share some of my progress with this.

    Best wishes, whoever is reading, for a peaceful, hopeful and creative New Year.

    Images above: Mixed media collage. B. Wanhill, December 1-24, 2023.

  • In half an hour I will have gained an hour. This is a blessing. Because I have wasted so many hours in the hours that were September, October and now November. Between the faltering, there have been hours of extreme busyness. With work mostly, but also getting the garden ready for winter.

    The sketchbook has been mostly constant – a place to quickly record the extra long season of blooming Papaver somniferum and sweet peas (the former: unexpected, the latter: reliably expected.) The seemingly discontinued Staedtler 432 M orange ballpoint stick pen is running out of ink – I never intended to have so many orange flowers. Nevertheless, a welcome volunteer marigold bloomed just in time to gift me some seeds for next growing season and after a few years hiatus, I again had success with nasturtiums. Lastly, the ‘Bright Lights’ Cosmos creates a lovely orange stain on paper. I collected seeds from that too and look forward to adding more of this to the garden to brighten hard to grow spots.

    Below, my sketchbook entries for September to November 4:

    Sketchbook entries, September-November 2023. Pen and Ink. B. Wanhill

  • A document of summer mark-making progress. Take away: it was very satisfying seeing these pages develop. Unexpected and somewhat joy-filled. How about that!

    The parameters for summer drawing were: pen, no pencil pre-plannning, botanical and from life, not photos. I began with a Faber-Castell Pitt Artist Fineliner 0.1 at the beginning of July, but then soon gravitated towards a package of Staedtler Ball 432s from Staples (since redesigned and manufactured in a different country – yet to be determined whether the new ones will hold up). Any day I did not draw, I drew a small circle. Some days: a mix of the two types of pens. One day, a plastic lily stood in for something live. Lots of mistakes. I dated each set of marks. Keeping things simple and being flexible to new ways of working has continued to build my confidence as a person who draws daily.